production ✶ london
Production Packs
every rung of the ladder. both sides of the brief.
Most independent shoots run with no call sheet, no schedule and no releases. Then something goes wrong and it costs more than the paperwork ever would. I build the boring part so your shoot day holds.
the menu
What You Can Book
Two documents, built from your brief. The call sheet, carrying the shooting schedule, call times and contacts for cast and crew. And the crew list as a working spreadsheet.
48 hour turnaround ✶ remoteService agreements for every person on the job, setting out role, rate, dates, payment terms and what happens if the shoot moves. Drafted for your shoot, not downloaded.
48 hour turnaround ✶ remoteArtist release, location permission, usage and image rights, split sheet where music is being made, and a filming notice for public space. Tailored to your shoot, not a generic download.
48 hour turnaround ✶ remotebook two, pay less
Compound Packages
Booked together, so every document is built from the same brief and nothing contradicts anything else. This is where most people land.
the one most people take
Crew Pack
£200Call Sheet + Crew Agreements. Normally £250, so £50 off. Your crew get their call times and their contracts from the same place, on the same day.
everything, one brief
Shoot Pack
£375Call Sheet + Crew Agreements + Rights and Releases. Normally £450, so £75 off. The full set, so you walk onto the day with nobody unpaid, unsigned or unsure where to be.
priced per shoot
Add Ons
Bolted onto any package above. Tell me what the shoot needs and I will price it against the scale of the day.
Written up for your locations and your day, in the format most venues and councils will accept.
Shot by shot order of the day, built against your schedule so the day is actually achievable in the hours you have.
A working budget you can send to a client or a label, with the lines nobody remembers until the invoice arrives.
Options found, availability and access checked, costs and permissions confirmed, booked if you want it booked.
The right people and the right gear for the brief and the budget, approached and held for your dates.
Additional days added to the same call sheet and the same agreements, for multi day and multi location shoots.
when you need a producer, not a document
And If You Need Me On It
Locations sourced and booked, crew and kit arranged, budget built, plus the Shoot Pack. For shoots that need someone actually running the run up, not just the paperwork.
Scoped to the shoot ✶ one week lead timeOn set, running the day. Call times, crew, cast, locations and the schedule held together while you make the thing.
Per day ✶ London and travelno mystery, no back and forth
How It Works
Treatment, dates, locations, who is involved. A voice note is fine.
Usually the ones nobody has thought about yet, which is the point.
You read it, we adjust once.
Straight out to your crew. Paid on delivery, or 50 percent up front on the larger packages.
receipts
Recent Work
- Production manager on Ms Banks "4C"
- Production coordinator on Spice "Slow Motion"
- Production assistant on Tinie Tempah "Closer"
- Director on Deja "Sippin"
- Producer on a four studio shoot day for a music documentary series, running ten artists and producers with all agreements and the call sheet
book it
tell me the shoot date.
hello@askforgiulia.com07577 650 586 ✶ askforgiulia.com
SEND ME THE SHOOT DATE →Releases and agreements are production templates prepared for your shoot, not legal advice. For anything contentious or high value, take proper legal advice before signing.